Painting

Beyond Observational Painting

Beyond Observational PaintingBeyond Observational Painting

Workshop: Synthesizing Representational and Abstract Painting

Description:
This workshop focuses on painting from observation, memory, imagination, and photographic references, blending figurative and abstract approaches.

What You’ll Explore:

  • Traditional Subject Matter: Work with various subjects to create original compositions.
  • Master Painters: Study the works of historical and contemporary artists for inspiration.
  • Painting Concepts: Learn to synthesize representational and abstract styles in your own practice.
  • Formal Elements: Develop skills in spatial relationships, form, light/value, and color.
  • Methods and Approaches: Compose paintings using multiple sources and ideas effectively.

Who Should Join:

  • Participants comfortable working in oil or acrylic.
  • Recommended for those with some experience in painting.

Prerequisites:
Some painting experience in oils or acrylics is suggesteD

Suggested Supplies:

Beginning Oil Palette (cool)

CERULEAN BLUE

CADMIUM LEMON

ULTRAMARINE BLUE

ALIZARIN CRIMSON

TITANIUM WHITE (large tube)

WINSOR(W&N Brand name) RED (or Cadmium Red Medium)

YELLOW OCHRE

RAW UMBER

RAW SIENNA*

BURNT SIENNA*

DIOXANE VIOLET

VIRIDIAN

QUINACRIDONE MAGENTA*

*Nice to have, but not absolutely necessary

Black is not…your “blacks” can be mixed with other hues; however, if you do want a black, I would suggest Chromatic Black.

Painting medium: such as Galkyd, Liquin, Neo Megilp

Bar of soap (ie. lava), rags or good quality paper towels (I like the blue automotive towels), baby oil  or safflower oil (clean up)

NOTE: solvents (gamsol,turpentine, turpenoid etc…) are not necessary! Oil brushes can cleaned with vegatable oil, Murthy’s oil, and/or soap and water. Well cleaned brushes will last until you wear them out!

Enamel, glass, or disposable palette.  

Palette knife.

painter’s tape

Brushes- various sizes (ie. 2,4,6,8,10,12,14) …Brights or filberts. A couple of rounds maybe be useful.  Sable, Sable essence, natural white bristle or Synthetic mixed brushes are recommended.

Painting supports and surfaces: various sized canvas (stretched or unstretched), canvas panel, gessoed cardboard, or a pad of ARCHES oil paper for beginning studies

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